Alison Dalwood
Inter Art Center Gallery, Beijing, June 2008. Arranging
Alte Nationalgalerie, Berlin - photographic works
appearing in the format of Diasec mounted Lambda prints (shown here
60 x 37 cm), artist's book (publication September 2008) and interventions
in museum spaces (Berlin 2009-10). Photograph by Johannes Kemnitzer.
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Work groups:
Time
Visible as Moving Light, New Building, School of Art and
Design, University of Ulster, 2007. Permanent public art commission
in collaboration with the School, Todd Architects and the Arts Council
of Northern Ireland. Five reflective panels of Lambda photo prints
Diasec mounted behind semi-opaque Plexiglass 280 x 150 x 1 cm each.
The images are from photographs of architectural details and interior
spaces of a disused school in Berlin Mitte.
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Multiple Spaces, Academia Gallery, Sofia,
Bulgaria, June 2007, solo exhibition. Digitally altered photographic
images of interior spaces of the Bode Museum and Hamburger Bahnhof,
Berlin, overlaid with transparent paper and re-photographed. For
this installation works were printed on paper 280 x 150 cm and overhung
with strips of tracing paper making an interplay of the work with
its spatial context.
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Hamburger
Bahnhof, 2006. A series of digital and virtual works appropriating
the museum space of Hamburger Bahnhof, Berlin, to situate the work
in a dialogue with its cultural context. Images of a hallway or
a corner of the Bode Museum, seemingly incorporate the light source
and architectural elements of the location.
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Relocated
Hallway, Berlin, 2006. Digitally altered photographs questioning
the interplay of artwork with context - here, Deutsches Historisches
Museum, Berlin
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Paintings,
oils on canvas and paper.
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