Alison Dalwood



Inter Art Center Gallery, Beijing, June 2008. Arranging Alte Nationalgalerie, Berlin - photographic works appearing in the format of Diasec mounted Lambda prints (shown here 60 x 37 cm), artist's book (publication September 2008) and interventions in museum spaces (Berlin 2009-10). Photograph by Johannes Kemnitzer.
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Work groups:

hausmeister_thumbTime Visible as Moving Light, New Building, School of Art and Design, University of Ulster, 2007. Permanent public art commission in collaboration with the School, Todd Architects and the Arts Council of Northern Ireland. Five reflective panels of Lambda photo prints Diasec mounted behind semi-opaque Plexiglass 280 x 150 x 1 cm each. The images are from photographs of architectural details and interior spaces of a disused school in Berlin Mitte.
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jury_thumb Multiple Spaces, Academia Gallery, Sofia, Bulgaria, June 2007, solo exhibition. Digitally altered photographic images of interior spaces of the Bode Museum and Hamburger Bahnhof, Berlin, overlaid with transparent paper and re-photographed. For this installation works were printed on paper 280 x 150 cm and overhung with strips of tracing paper making an interplay of the work with its spatial context.

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vanlaar_thumbHamburger Bahnhof, 2006. A series of digital and virtual works appropriating the museum space of Hamburger Bahnhof, Berlin, to situate the work in a dialogue with its cultural context. Images of a hallway or a corner of the Bode Museum, seemingly incorporate the light source and architectural elements of the location.
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aparicio_thumbRelocated Hallway, Berlin, 2006. Digitally altered photographs questioning the interplay of artwork with context - here, Deutsches Historisches Museum, Berlin

 

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sulzer_thumbPaintings, oils on canvas and paper.

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